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NESVA StudioNesva Studio
An artisan's hands applying hand-troweled lime plaster to a wall

The Method

Survey first,subtract second,decide slowly.

A house takes the time it takes. What follows is the sequence we have refined across eighty-six commissions — published in full, because good process should not be a secret.

  1. 01

    Week 1

    Private Consultation

    An unhurried conversation, usually at the property or in the Delhi studio. We do not present work and we do not discuss fees. We establish whether there is a shared sensibility, because everything that follows depends on it.

    The first meeting is not a pitch. It is an audition on both sides.

    Your part

    One meeting, approximately two hours

    A design studio worktable with samples and drawings

    You receive

    • Written summary of ambitions
    • Preliminary feasibility view
  2. 02

    Weeks 2–5

    Discovery & Spatial Study

    Measured survey, condition report, and a full-year sun study of the site. We record how you actually use space rather than how you describe it — including the rooms you avoid and cannot explain why.

    Every plan we have ever regretted was drawn before the survey was finished.

    Your part

    Two interviews, one site walkthrough

    A shaft of afternoon light across a plaster wall

    You receive

    • Measured survey
    • Sun and daylight study
    • Adjacency analysis
  3. 03

    Weeks 6–11

    Concept Direction

    A single direction, not three options. We present one resolved idea with the reasoning behind it, and we expect to defend it. Choice at this stage tends to produce compromise rather than conviction.

    Presenting three concepts means we have not decided which one is right.

    Your part

    One presentation, one review round

    A serene courtyard interior with geometric shadows

    You receive

    • Concept narrative
    • Plan strategy
    • Material direction board
  4. 04

    Weeks 12–27

    Design Development

    The concept is resolved into elevations, sections and reflected ceiling plans. Every wall is drawn. Every junction is considered. This is the longest and least visible phase, and the one that determines the result.

    Sixty percent of our hours are spent before you see anything you recognise.

    Your part

    Fortnightly reviews

    A penthouse interior with a book-matched marble wall

    You receive

    • Full elevation set
    • Ceiling and lighting plans
    • Joinery design
  5. 05

    Weeks 20–34

    Material & Furniture Curation

    Physical samples only — no digital boards. We build a full-scale material tray for every principal room and review it on site, under the actual light, at the actual hour.

    A material chosen under studio light is a material chosen wrongly.

    Your part

    Two material reviews on site

    Macro photograph of veined marble

    You receive

    • Material trays
    • FF&E schedule
    • Art and object proposal
  6. 06

    Weeks 28–39

    Technical Documentation

    The tender package: schedules, specifications, 1:5 and 1:1 details. Unglamorous, exhaustive, and the single largest determinant of whether the built room matches the drawn one.

    The detail drawing is where a design either survives or quietly dies.

    Your part

    Sign-off only

    Architectural drawings and samples on a studio table

    You receive

    • Tender drawings
    • Finish schedules
    • Junction details
  7. 07

    Weeks 34–64

    Procurement & Craft Production

    Orders are placed, prototypes are visited, and every bespoke piece is inspected in the workshop before it is finished. Long-lead items are committed first; the programme is built backwards from them.

    We visit the prototype four times. Suppliers find this excessive. They are wrong.

    Your part

    Optional workshop visits

    An artisan applying lime plaster by hand

    You receive

    • Procurement schedule
    • Prototype reports
    • Cost tracker
  8. 08

    Weeks 40–98

    Site Execution

    Weekly site attendance, fortnightly cost and progress reporting, and a single point of accountability. Variations are documented and priced before they are instructed, never after.

    A variation agreed on site and priced later is not a variation. It is a dispute.

    Your part

    Fortnightly written report

    An unrenovated room during construction

    You receive

    • Site reports
    • Cost and variation register
    • Programme updates
  9. 09

    2–4 weeks

    Installation & Styling

    Furniture, art, textiles, objects and flowers, installed over a compressed period with the house closed. Nothing is placed provisionally — every position is drawn in advance.

    We ask clients to leave for the install. The reveal is worth the inconvenience.

    Your part

    Absent, by preference

    Curated objects arranged on a plinth

    You receive

    • Installation plan
    • Art hanging plan
    • Styling specification
  10. 10

    1 day

    The Reveal

    You return to a finished house — beds dressed, table laid, flowers cut that morning. We hand over a bound care manual and then, deliberately, we leave.

    The best compliment is that nobody mentions the design at all.

    Your part

    One evening

    A fully restored and furnished luxury living room

    You receive

    • Care and maintenance manual
    • Warranty pack
    • Photography
VIIIAfterwards

We return at six months,and again at two years.

A house settles. Timber moves, plaster cures, light changes with the season. Every Nesva commission includes two aftercare visits — we adjust, repair and document, at no further cost.

A Mediterranean villa interior opening onto a terrace at golden hour

Stage One

Begin with aconversation.

Studios
India
Availability
Commissions worldwide

All enquiries are handled in confidence. A significant portion of our work is never published; where discretion is required, we operate under private terms and no imagery leaves the studio.